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SIGHT AND SOUND
aka "Sight & Sound"
General, Mainstream Monthly Magazine from London ,United Kingdom

- First issue: 1991
- General cinema.
- Took its present form in May 1991 with the incorporation of Monthly Film Bulletin. Prior to that it was published quarterly.
- Half the magazine contains great articles on various topics and the other half has the film reviews for the contemporary releases. I especially like the full synopsis given for every movie: No surprises when you 're watching The Crying Game for the first time.
- Published by the British Film Institute.
- Monthly, 70 colour pages in A4 format.
- Published by British Film Institute (BFI)
- Website: www.bfi.org.uk

Last updated:
1 January 2024
(see recent updates)

Special thanks for this page goes to:
Garry Malvern
Grace
Scott Matheson
Gary
Allan

COVERS FOUND & MISSING

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CONTENTS: 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

GALLERIES: 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

Issue 104
December 1999

Juggling in the park: Lars von Trier has cast child-woman pop diva Bjork for his new 100-camera musical. Stig Bjorkman talks to the director about what may be the most expensive Danish movie ever made.
Fine Cuts: Sight and Sound samples the highlights of this year's London Film Festival with previews of new films from Claire Denis, Hou Hsia Hsien, Harmony Korine and Shane Meadows among others.
The f

Issue 102
October 1999

Women directors special soul survivor: In the shape of Holy Smoke's Kate Winslet, Jane Campion offers up another of her complex, strong-willed heroines - but this time, argues Kate Pullinger, with the masochism excised.

Issue 101
September 1999

Stanley Kubrick 1928-99 Resident Phantoms: When The Shining was released in 1980 it was dismissed as a technical exercise in horror, but its reputation for distilling the uncanny has grown. Jonathan Romney thinks it may be the

Issue 100
August 1999

Welcome to my nightmare: Incest is a tough subject for any film-maker, but for Tim Roth, a British movie star making his directing debut, it's worth the risk.
Bill Murray: In cold blood: How on

Issue 99
July 1999

Blood Symbol: As a new morality campaign against Hollywood violence gains momentum, Mary Harron's film of American Psycho, Bret Easton Ellis' serial-killer trader tale, is at last being shot. Jeff Sipe talks to Harron and star

Issue 98
June 1999

Rubber reality: Kim Newman on The Matrix
Ms Tough: Leslie Felperin on the career of Judy Davis
Papa yakuza: Tony Rayns interviews Takeshi Kitano on the set of Kikujiro
Dooming the video: the arrival of DVD
The Innovators 1930-1940: Harvey

Issue 97
May 1999

Make it yellow: Jonathan Romney interviews Theo Angelopoulos about Eternity and a Day
Bigger than life: Yvonne Tasker on Kathryn Bigelow's career
The Innovators 1920-1930: Laura Mulvey on Sam Warner
Farewell to Napoli: Nick James on Notting Hi

Issue 96
April 1999

Game boy: Chris Rodley interviews eXistenZ director David Cronenberg
Tearing the roof off: Peter Mullan interviewed about Orphans
God's lonely man: Amy Taubin re-examines Martin Scorsese's Taxi Driver
A child's demon: David Thomson on Charles

Issue 95
March 1999

Welcome to the nerdhouse: Todd Solondz's Happiness features a sympathetic paedophile. Neil LaBute's Your Friends & Neighbors focuses on misogynists, rapists and philanderers. Charles Taylor wonders why so many US indie fil

Issue 94
February 1999

Bayonets in Paradise: Terrence Malick's return to cinema, The Thin Red Line, is a spectacular achievement - but its take on World War II provokes concern, argues Cohn MacCabe. Plus Geoffrey Macnab on author James Jones.

Issue 93
January 1999

Reality is too shocking: Upfront European films - including Lars von Trier's The Idiots, Francois Ozon's Sitcom and Gaspar Noe's Seul Contre Tous - are testing the censors with incest, real sex and graphic violence. But do we

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